American Indian weaving. (198-). S.l: s.n.
Notes: Added Title: Indian weaving
Added Title: Weaving
Abstract: Teaches children color and tactile perception as well as acquainting them with Native American weaving and textile art

Design quarterly: American weaving. (1960). (Design quarterly No. no. 48/49, 1960). Minneapolis: Walker Art Center.

(2000). Handweavers Guild of America, Inc : Handweavers Guild of America, Inc.

Navajo master rug weavers. (1992?). Mesa, AZ: Eager Outdoor Video Productions.
Notes: Added Title: Master rug weavers
Abstract: Shows the Dineh, the people who weave Navajo rugs; demonstrates weaving and presents different rug patterns

New designs in weaving. (1977). (Creative American craft series . City of Industry, Calif: Hazel Pearson Handicrafts.

Pamphlets on clothing and textiles. (1827-1948).
Notes: LC Control Number: 95133409
Contents: [1] Costume accents & harmonies / Gemological Institute of America -- [2] Fashionable furs--and how they are obtained -- [3] A study of utility garments for men and boys / prepared by Textiles Education Bureau with the cooperation of H.D. Lee Merc. Co. 1938 -- [4] The story of Amsterdam wraps. 1923 -- [5] Hand book of folk doll costumes and costume designing : the hobby of creating authentic folk doll costumes / Hand-Craft Industries. 1939 -- [5] Illustrations of the model gowns displayed at our autumn opening, September, 1904 / Harry Angelo -- [6] Sewing & garment construction handbook / Quality Control Group, Montgomery Ward -- [7] 178 Färberei-Geheimnisse. 1827 --
Contents: [8] Quilting and patchwork / by Anne Heynes -- [9] Table loom weaving / by Florence M. Hartopp -- [10] History of the Liberty Bell rug -- [11] The guide of Nishijin textile / Nishijin Textile Association. 1928 -- [12] A prologue : dedicated to the art and artistry at the Golden Gate International Exposition, San Francisco and the New York World's Fair of 1939 / by Samuel Stephen Jenanyan -- [13] A bit of England in America / Kenwood Mills. 1937 -- [14] The Mountain Mist album of quilt blocks. 1938 -- [15] The Stetson hat in literature : excerpts from the works of authors of western fiction made into a story / by F. Romer -- [16] Why a cap? : a short history of nursing caps from some schools organized prior to 1891 -- [17] J. Kawashima's art fabrics. 2 items

Shuttle, spindle & dye-pot. (1992). Bloomfield, Conn: Handweavers Guild of America.
Notes: Includes bibliographical references

With hand and heart. (1986). S.l.: Otero Savings and Loan Association.
Abstract: Viewers will not only see the carefully executed art of Indian pottery and weaving, they will hear the eerie sound of the earth being molded into clay, as well as experience the breathtaking southwest rock formations sculpted by thoudands of years of wind and water

Abboud, R. W., & University of Rhode Island. (1975). South American backstrap loom; its potential, limitation and application for contemporary handweaving. Kingston: University of Rhode Island.
Notes: Bibliography: leaves 170-173
Added Title: Peruvian backstrap loom weaving

Abel, I. I. (1979). Multiple harness patterns from the early 1700's the Snavely patterns. York, Pa: Abel.
Notes: LC Control Number: 79113158
Bibliography: p. 75

Akard, W. K. (1978). Design change an aspect of Navaho socio-cultural dynamics.
Notes: Bibliography: leaves [53]-57

Albaum, C. (1972). Ojo de Dios: eye of God. New York: Grosset & Dunlap.
Notes: LC Control Number: 72193012 //r942
Added Title: Eye of God

Alexander, M. (1980). Weaving on cardboard. Louisville, Ky: American Printing House for the Blind.
Abstract: Instructions for making sixteen simple cardboard looms with suggestions for a variety of projects to make on them

Allen, H. L. (1939). American and European hand weaving. Madison, Wis: Democrat Printing Co.
Notes: LC Control Number: 40004009
Bibliography: p. 89-94

Allen, H. L. (1970). American and European hand weaving. Madison, Wis: College printing and pub.
Notes: Bibliography: p. 89-94

Allen, H. L. (1970). American and European hand weaving Revised. Madison, Wis: College Printing.
Notes: Bibliography: p. 89-94

Allen, H. L., Allen, H. L., National Conference of American Handweavers, & Annual session. (1943). Lectures of the fifth session of the National Conference of American Handweavers. Guernsey, Pa: Creative Crafts.
Notes: Contents: Course no. III. Creative designing for the weaver. Lecture 1. Design and living -- Lecture 2. Design in weaving -- Lecture 3. Color in weaving -- Lecture 4. Plain weave possibilities -- Lecture 5. Design in pattern weaving. Variations on a twill threading. Lecture 6. Types of pattern weaves on a 4-harness loom -- Lecture 7. Contributions of other lands. Designing in America -- Lecture 8. Modern types and modification of weaves -- Lecture 9. Typical European patterns -- Lecture 10. Twill in 6- or 8-harness weaves

Allen, H. L., Allen, H. L., National Conference of American Handweavers, & Annual session. (1944). Lectures of the sixth session of the National Conference of American Handweavers. Guernsey, Pa: Creative Crafts School of Weaving.
Notes: Contents: Course no. IV. Texture tendencies of modern weaving. Historical backgrounds of various European, American and Indian weaves. Lecture 1. Types of fabrics; kinds of thread; laws for use of varying threads in the same warp -- Lecture 2. Texture achieved by design variations in plain weave -- Lecture 3. Important factors of design in successful weaving plans -- Lecture 4. Various weaves on two-harness looms -- Lecture 5. Unique types of weaves and some foreign adaptations -- Lecture 6. Deriving interest from 2-or-more-row patterns -- Lecture 7. How various 2-row patterns are woven -- Lecture 8. Weaves providing interesting textures -- Lecture 9. Multi-harness patterns. Lecture 10. Historical backgrounds of various weaves

Allen, H. L., Allen, H. L., National Conference of American Handweavers, & Annual session. (1941?). Series of lectures given at the National Conference of American Handweavers Hartland, Mich., 1941. Hartland, Mich: Creative Crafts School of Weaving.
Notes: Contents: Course no. II. International field of weaving. Lecture I. Contribution of European to American handweaving -- Lecture II. Weaving in the United States and Mexico -- Lecture III. Weaving in Guatemala -- Lecture IV. Weaving in South America -- Lecture V. Tapestry -- Lecture VI. Color -- Lecture VII. Variations of design weaves -- Lecture VIII. Weaving today in America

Allen, H. L., Allen, H. L., National Conference of American Handweavers, & Annual session. (1942). Series of lectures given daily at the fourth annual session of the National Conference of American Handweavers. Hartland, Mich.: The Shuttle Service.
Notes: Contents: Course no. 1. Fundamentals of weaving design. Lecture I. Design principles as applied to weaving -- Lecture II. Writing patterns in profile -- Lecture III. Adaptation of the same profile to various techniques -- Lecture IV. Star and rose fashion -- Lecture V. Ways of weaving overshot -- Lecture VI. Planning borders -- Lecture VII. Notes on techniques. Unusual weaves

Altman, P. B., West, C. D., University of California, Los Angeles, & Fowler Museum of Cultural History. (1992). Threads of identity Maya costume of the 1960s in highland Guatemala. Los Angeles, Calif., USA: Fowler Museum of Cultural History, University of California, Los Angeles.
Notes: LC Control Number: 92072523 //r93
Includes bibliographical references (p. 183-186)

American Crafts Council, Museum of Contemporary Crafts, American Crafts Council, & Research & Education Dept. Sculpture in fiber.
Notes: LC Control Number: 72733937 /F
Abstract: Presents a 1972 exhibition of off-loom works by twelve contemporary craftsmen at the Museum of Contemporary Crafts in New York

American Crafts Council, & Research & Education Dept. International tapestry biennial.
Notes: LC Control Number: 72733977 /F
Abstract: Presents examples of non-pictorial weavings in large scale by international craftsmen

American Crafts Council, & Research & Education Dept. Weaving.
Notes: LC Control Number: 72733982 /F
Abstract: Presents examples of weaving by forty American craftsmen

American Craftsmen's Council, & Museum of Contemporary Crafts. (1963?). Woven forms [exhibition] : 22 March-12 May 1963 : Museum of Contemporary Crafts of the American Craftsmen's Council. New York: The Council.

American Wool Council. (1977). Weaving a timeless craft. Denver, Colo: The Council.
Notes: Availability: American Wool Council, 200 Clayton St., Denver, Colo. 80206
Added Title: Weaving, a timeless craft
Abstract: A basic introduction to the art and craft of handweaving with wool. Illustrates the history and primary methods involved in the production of handwoven fabric

American Wool Council. (1978?). Weaving, a timeless craft. Denver: The Council.

Anderson, C., Gordon, J., & Towner, N. W. (1979). A portfolio of weave structures used in North American coverlets. s.l: s.n.
Notes: Added Title: Weave structures used in North American coverlets

Anderson, C., Gordon, J., & Towner, N. W. (1979). Weave structures used in North American coverlets. Olney, Md: Anderson.
Notes: LC Control Number: 80065494

Anderson, M. (1978). Guatemalan textiles today. New York: Watson-Guptill Publications.
Notes: LC Control Number: 78000782
Bibliography: p. 197-198

Arthur Barr Productions. The loom.
Notes: LC Control Number: 55001095 /F
Abstract: Shows the processes required to produce cloth on the hand looms of early America: pioneer women prepare warp and weft threads for weaving, showing the use of the spinning wheel, niddy noddy, and warping board; heddle strings are tied, and bobbins wound for the shuttle; the wapp is set up and the loom threaded; the weaving begins, showing the function of the treadle, harness, and shuttle

Asturias de Barrios, L. (1994). Mano de mujer, mano de hombre producción artesanal textil en Comalapa, Guatemala.
Notes: Includes bibliographical references (leaves 452-470)

Asturias de Barrios, L., Fernández García, D., & Museo Ixchel del Traje Indígena de Guatemala. (1992). La Indumentaria y el tejido mayas a través del tiempo. Guatemala: Ediciones del Museo Ixchel.
Notes: LC Control Number: 93143942
Includes bibliographical references

Asturias de Barrios, L., Mejía de Rodas, I., & Miralbés de Polanco, R. (1991). Santa María de Jesús, costume and cofradía (Ediciones del Museo Ixchel: Ediciones del Museo Ixchel No. no. 6). Guatemala?: Museo Ixchel del Traje Indígena de Guatemala.
Notes: Includes bibliographical references

Asturias de Barrios, L., Mejía de Rodas, I., & Miralbés de Polanco, R. (1989). Santa María de Jesús, traje y cofradía (Ediciones del Museo Ixchel: Ediciones del Museo Ixchel No. no. 6). Guatemala, Guatemala?: Museo Ixchel del Traje Indígena de Guatemala.
Notes: LC Control Number: 90173981 //r943
Includes bibliographical references (p. 139-144)

Atwater, M. M. (1966). The shuttle-craft book of American hand-weaving (Rev. ed ed.). New York, N.Y: Macmillan.

Atwater, M. M. (1986). The shuttle-craft book of American hand-weaving (Rev. ed ed.). Coupeville, WA: HTH Publishers.

Atwater, M. M. (1956). The shuttle-craft book of American hand-weaving being an account of the rise, development, eclipse, and modern revival of a national popular art. New York: The Macmillan company.

Atwater, M. M. (1941). The shuttle-craft book of American hand-weaving being an account of the rise, development, eclipse, and modern revival of a national popular art, together with information of interest and value to collectors, technical notes for the use of weavers, and a large collection of historic patterns. New York: Macmillan.

Atwater, M. M. (1933). The shuttle-craft book of American hand-weaving being an account of the rise, development, eclipse, and modern revival of a national popular art. Together with information of interest and value to collectors, technical notes for the use of weavers, and a large collection of historic patterns. New York: Macmillan.

Atwater, M. M. (1931). The shuttle-craft book of American hand-weaving being an account of the rise, development, eclipse, and modern revival of a national popular art, together with information of interest and value to collectors, technical notes for the use of weavers, and a large collection of historic patterns. New York: The Macmillan company.

Atwater, M. M. (1928). The shuttle-craft book of American hand-weaving being an account of the rise, development, eclipse, and modern revival of a national popular art, together with information of interest and value to collectors, technical notes for the use of weavers, and a large collection of historic patterns. New York: The Macmillan company.
Notes: LC Control Number: 28023648

Atwater, M. M. (1945). The shuttle-craft book of American hand-weaving being an account of the rise, development, eclipse, and modern revival of a national popular art, together with information of interest and value to collectors, technical notes for the use of weavers, & a large collection of historic patterns. New York: Macmillan.

Atwater, M. M. (1947). The shuttle-craft book of American hand-weaving being an account of the rise, development, eclipse, and modern revival of a national popular art, together with information of interest and value to collectors, technical notes for the use of weavers, and a large collection of historic patterns. New York: Macmillan.

Atwater, M. M. (1951). The shuttle-craft book of American hand-weaving being an account of the rise, development, eclipse, and modern revival of a national popular art, together with information of interest and value to collectors, technical notes for the use of weavers, & a large collection of historic patterns (Rev. ed ed.). New York: Macmillan.
Notes: LC Control Number: 51010000

Atwater, M. M. (1937). The shuttle-craft book of American hand-weaving being an account of the rise, development, eclipse, and modern revival of a national popular art, together with information of interest and value to collectors, technical notes for the use of weavers, and a large collection of historic patterns. New York: Macmillan.

Atwater, M. M. (1978). Talks on weaving techniques given at the second session of the National Conference of American Handweavers, Waldenwoods, Hartland, Michigan, June 12 to July 2, 1939. s.l.: Southern California Handweaver's Guild.

Austin, R. J., & Fenner, E. C. (2000). A manual of fingerweaving. Pottsboro, Tex: Crazy Crow Trading Post.

Awana Wasi del Cusco. (1991). Chinchero pallay (Awana Wasi del Cusco: Awana Wasi del Cusco (Series) No. t. 2). Cusco: CONCYTEC. Escuela de Bellas Artes Cusco.
Notes: LC Control Number: 93244239

Awana Wasi del Cusco. (1991). El Léxico gráfico del Cusco (Awana Wasi del Cusco: Awana Wasi del Cusco (Series) No. t. 1). Cusco: CONCYTEC. Escuela de Bellas Artes Cusco.
Notes: LC Control Number: 93244261

Baizerman, S., & Searle, K. (1976). Latin American brocades explorations in supplementary weft techniques . St. Paul, Minn: Dos Tejedoras.
Notes: LC Control Number: 78108338
Includes bibliography

Baizerman, S., & Searle, K. (1980). Latin American brocades explorations in supplementary weft techniques (Rev. ed ed.). St. Paul, Minn: Dos Tejedoras.
Notes: Includes bibliographical references

Baizerman, S., & Searle, K. (1980). Latin American brocades explorations in supplementary weft techniques (Rev. ed ed.). St. Paul, Minn: Dos Tejedoras.
Notes: Bibliography: p. 28

Barrett, C., Hall, K., & Victorian Video Productions. (1990). Double weave with Clotilde Barrett. Petaluma, CA: Victorian Video Productions.
Notes: Performer Note: Instructor, Clotilde Barrett
Added Title: Doubleweave
Abstract: The internationally known author and weaving teacher, Clotilde Barrett, teaches the doubleweave

Bennett, N. (1973?). Genuine Navajo rug -- are you sure??? Santa Fe: The Navajo Tribe and The Museum of Navajo Ceremonial Art.
Notes: Bibliography: p. 20-21

Bennett, N. (1979). Genuine Navajo rug how to tell (Wild and woolly west books . Palmer Lake, Colo: Filter Press.
Notes: Bibliography: p. 21

Bennett, N., & Bighorse, T. (1983). Working with the wool how to weave a Navajo rug (9th printing, rev ed.). Flagstaff Ariz.: Northland Press.
Notes: Bibliography: p. 104-105

Benson, M. (1974). How to make ojos de Dios ([1st ed ed.). Santa Fe, N.M: Sleeping Fox Enterprises.
Notes: Added Title: Ojos de Dios

Best, E. (1987). Weaves a design handbook. Indianapolis, Ind. (7130 Eastwick La., Indianapolis 46256): Bestudio.
Notes: LC Control Number: 88105508
Bibliography: p. 155-158

Betterton, S., & American Museum in Britain. (1991). Navajo weaving and textiles of the American Southwest from the American Museum in Britain. Bath: The Museum.
Notes: LC Control Number: 92130485 //r93
Includes bibliographical references (p. 69) and index

Bjerregaard, L. (1977). Techniques of Guatemalan weaving. New York: Van Nostrand Reinhold.
Notes: LC Control Number: 77007184 //r933
Bibliography: p. 94

Bjerregaard, L., & Lind, V. (1976). Indianervævning fra Guatemala mayaernes lændevæv, fremstilling, opsætning, vævning, mønstre. København: Høst.
Notes: LC Control Number: 77465412 //r932
Bibliography: p. [93]

Blood, C. L., Link, M. A., & Parker, N. W. (1976). The goat in the rug. New York: Parents' Magazine Press.
Notes: LC Control Number: 75019192
Abstract: Geraldine, a goat, describes each step as she and her Navajo friend make a rug, from the hair clipping and carding to the dyeing and actual weaving

Blood, C. L., Link, M. A., & Parker, N. W. (1980). The goat in the rug. New York: Four Winds Press.
Notes: LC Control Number: 80017315 /AC/r84
Abstract: Geraldine, a goat, describes each step as she and her Navajo friend make a rug, from the hair clipping and carding to the dyeing and actual weaving

Blood, C. L., Link, M. A., & Parker, N. W. (1987). The goat in the rug. New York: Four Winds Press.
Abstract: Geraldine, a goat, describes each step as she and her Navajo friend make a rug, from the hair clipping and carding to the dyeing and actual weaving

Blood, C. L., Link, M. A., & Parker, N. W. (1990). The goat in the rug (1st Aladdin Books ed ed.). New York, NY: Aladdin Books.
Notes: LC Control Number: 89077701
Abstract: Geraldine, a goat, describes each step as she and her Navajo friend make a rug, from the hair clipping and carding to the dyeing and actual weaving

Bogdonoff, N. D. (1975). Handwoven textiles of early New England the legacy of a rural people, 1640-1880. Harrisburg, Pa: Stackpole Books.
Notes: LC Control Number: 75005582
Bibliography: p. 181-188

Boulton, Laura, Laura Boulton Foundation, Inc, Indiana University, Bloomington, Archives of Traditional Music, National Film Board of Canada, Smithsonian Institution, & Human Studies Film Archives. Canada, Quebec, unknown location, French Canadians, 1941-1943 (Laura Boulton Collection .
Notes: Performer Note: Numerous unidentified males and females of Quebec Province; Laura Boulton, direction
Event Note: Recorded by Laura Boulton in Canada between 1941 and 1943
Abstract: Silent film shows scenes of life and activities in Quebec, including landscape, and old mill, farming, logging, ships and boats, shipbuilding, fishing, cleaning and drying fish, harvesting grains and tobacco, baking bread and making cheese, making snowshoes, a dog cart, wood carving, making model ships, carving a statue, harvesting flax, herding sheep, spinning wool, finger weaving, hand loom weaving, processing homespun, evening home activities, dancing and social gatherings, and public worship in church

British Productivity Council. (1950). United States productivity team report on the British Cotton Industry. London: British Productivity Council.
Notes: Contents: 1. The British Cotton Industry / U.S. Cotton Textile Team, 1951, x, 32 p. -- 2. Building / British Building Productivity Team, 1949, x, 81 p. -- 3. Cotton Weaving / U.K. Cotton Productivity Team, 1949, x, 62 p. -- 4. Grey Ironfounding / British Productivity Team, 1950, xii, 125 p. -- 5. Productivity measurement in British Industry: A symposium of papers by authors with first-hand experience of its benefits Publ: Anglo-American Council on Productivity, 1950, v, 38 p
Contents: 6. Training of operative / Specialist Team 1951, Publ: Anglo-American Council of Productivity, 1951, xii, 52 p. -- 7. Universities and industry / Specialist Team, 1951, Publ: Anglo-American Council on Productivity, 1951, viii, 29 p. -- 8. Productivity report on education for management / Specialist Team concerned with education for management, 1951, xii, 86 p. [same publ.] -- 9. Training of supervisors / Specialist Team to study supervisor training and selection, viii, 56 p., 1951 [same publ.]
Added Title: The British Cotton Industry
Added Title: Building
Added Title: Cotton weaving
Added Title: Grey Ironfounding
Added Title: Productivity measurement in British Industry
Added Title: Training of operatives
Added Title: Universities and industry
Added Title: Productivity report on education for management
Added Title: Training of supervisors

Bronson, J., & Bronson, R. (1977). Early American weaving and dyeing the domestic manufacturer's assistant and family directory in the arts of weaving and dyeing (Dover Americana . New York: Dover Publications.
Notes: LC Control Number: 76026289 //r83

Brostoff, L. (v. X, no. 2 (Spring 1979)). Are we becoming workshop junkies. Shuttle, Spindle & Dyepot, p. 33-34.

Brostoff, L. (1922). Fly-shuttle looms enhance weaving pleasure. Shuttle, Spindle & Dyepot, p. 74-76.

Brostoff, L. (v. III, no. 3 (May 1982)). Weaving with a strong back. Handwoven, p. 41.

Brostoff, L. (v. VIII, no. 1 (Winter 1976)). Winding a bobbin. Shuttle, Spindle & Dyepot, p. 39-42.

Brunberg, V. W. (1980). Contemporary applications of some historical double-woven textile techniques.
Notes: Bibliography: leaves [114]-119

Buckwalter, H. H. (1900). Navajo blanket weavers (Buckwalter Collection, Colorado Historical Society ; #v Book VI, no. 84 .
Abstract: Two Native American (Navajo) women weave blankets from wool. Their looms hang from sticks supported by trees or posts

Buckwalter, H. H. (1900). Woman weaving (Buckwalter Collection, Colorado Historical Society ; #v Book VI, no. 106 .
Abstract: A Native American (Navajo) woman weaves at a loom while another woman spins wool, probably in New Mexico. On the ground is a large painted pot next to an earth hogan

Burnham, H. B., Burnham, D. K., & Royal Ontario Museum. (1972). Keep me warm one night: early handweaving in eastern Canada. Toronto: University of Toronto Press in cooperation with the Royal Ontario Museum.
Notes: LC Control Number: 72083388 //r85
Bibliography: p. [379]-380

Burnham, H. B., Burnham, D. K., & Royal Ontario Museum. (1975). 'Keep me warm one night' early handweaving in eastern Canada. Toronto: University of Toronto Press in cooperation with the Royal Ontario Museum.
Notes: Bibliography: p. [379]-380

Bustos, M. L. (1993). Artesania indígena, La Chorrera, Amazonas. Colombia: Proyecto Predio Putumayo.
Notes: LC Control Number: 94190876 //r95

California State College at Fullerton, American Crafts Council, & Research & Education Dept. Intersection of line.
Notes: LC Control Number: 72733981 /F
Abstract: Presents historical and contemporary textiles which display the fabric construction methods of weaving, looping, braiding, and knitting. From a collection of California State College at Fullerton

California University of Pennsylvania. (1996). Thanksgiving. California, PA: California University of PA.
Notes: Contents: Thanksgiving 01. Indian puppet doll -- 02. Indian rag doll -- 03. Pilgrim hand puppets -- 04. Weaving loom -- 05. Indian headband craft -- 06. Turkey story game -- 07. Felt story patterns -- 08. Thanksgiving puzzle -- 09. Extra Thanksgiving resource materials

Campbell-Harding, V. (1987). Weaving with ribbon. Newton Abbot, Devon, New York, NY: David & Charles. Distributed in the United States of America by Sterling Pub. Co.
Notes: LC Control Number: 88153485
Bibliography: p. 124

Campbell, J., Snider, B. D., & Oak Creek Films. (1986). With hand and heart a portrait of Southwestern Native American artists. Colorado Springs, Colo, Eugene, OR: Otero Savings. distributed by New Dimension Media, Inc.
Notes: Performer Note: Narrator, Jack Campbell
Abstract: Explores the spirituality and traditions of the Southwest Indians through the commentary of native artists practicing their craft in Arizona and New Mexico. Features archival photographs, and numerous examples of Hopi pottery and Navajo weaving

Cardale de Schrimpff, M., University of Oxford, & Faculty of Anthropology and Geography. (1972). Techniques of hand-weaving and allied arts in Colombia (with particular reference to indigenous methods and where possible, including dyeing, fibre preparation and related subjects).
Notes: Bibliography: leaves 684-699

Carey, J. M., Minix, G., Carey, J. M., & Handweavers Guild of America. (1982). Beginning loom weaving. West Hartford, CT: Distributed by The Handweavers Guild of America Inc.

Carney, D., & Powhatan Originals. (1989). Native American fingerweaving. Doyline, La: Powhatan Originals.
Notes: Performer Note: Dick Carney
Added Title: Indian fingerweaving
Added Title: Native American finger weaving
Added Title: Indian finger weaving
Abstract: A demonstration of four patterns commonly found in Native American fingerweaving

Carstens, A., Linton, G. E., & American Fabrics. (1948?). Hand-loom weaving in America. New York: American Fabrics.
Notes: Contents: Pt. 1. Weaves of hand-loom fabrics [by] Annafreddie Carstens and George Linton.--Pt. 2. Dictionary of terms the hand-loom weaver should know, compiled by George Linton.--Pt. 3. Fabric knowledge: additional terms for the hand-loom weaver

Ch`en, C., Li, H., Wright, L., & Children's Theatre Association of America. (1959). Sung ling ho niao.

Clark, M., & Barr Films. (1992). The loom. Irwindale, Calif: Distributed by Barr Films.
Abstract: Includes maps and period graphics to give the geographical and historical importance of pioneer life in United States history. Pioneer settlers were an independent, self-sufficient people, who learned the skills necessary to make all of the household things that they needed. The women used spinning wheels to make yarn and the loom to weave that yarn into cloth. Looms were handmade, and the process of threading the loom and weaving the cloth is explained

Cohen, J. (1980). Peruvian weaving a continuous warp for 5000 years. New York: John Cohen.
Notes: Performer Note: Diane Buckhantz
Abstract: Peruvian women demonstrate the steps of warp pattern weaving of alpaca and llama wool, a technique used in Peru for thousands of years

Cohen, J., & University of California Extension Center for Media and Independent Learning. (1980). Peruvian weaving a continuous warp for 5,000 years. Berkeley, CA: University of California Extension Center for Media and Independent Learning.
Abstract: In this film the late Dr. Junius Bird of the American Museum of Natural History traces the beginnings of the Peruvian weaving tradition back to a preceramic period. Continuing in the present, three generations of modern Quechua speakers are shown using a warp pattern technique on both back strap and four stake looms

Collingwood, J., & Victorian Video Productions. (1998). Rug weaving block weaves and shaft stitching. Colfax, Calif, Lawrence, KS: Victorian Video Productions. The Yarn Barn.
Notes: Performer Note: Instructor, Jason Collingwood
Abstract: A course in weaving a successful, durable weft-faced rug

Commonwealth Institute (London). (1985). The weavers of ancient Peru. London, Bath: Tumi.

Connely, R., Public Works of Art Project, New Mexico, & Relief administration. (1935). Twelve examples of Navajo weaving from drawings cut on linoleum blocks. Santa Fé, N.M.
Notes: LC Control Number: 35032258
Added Title: Navajo weaving

Cranbrook Academy of Art, Galleries, & Handweavers Guild of America. (1972). Fabrications. Bloomfield Hills, Mich.

Cummings, E. (1993). Ojo de Dios. San Diego: E.C. Press.
Notes: Added Title: Eye of God
Added Title: God's Eye

Dantzer, J. (1899?). Traité de tissage théorique et pratique à l'usage des industriels, négociants, directeurs, employés, contremaîtres et des élèves des écoles industrielles et commerciales. Lille: J. Schaller.
Notes: Contents: 1. Tissus doublés -- 2. Tissus double étoffe -- 3. Tissus triple étoffe -- 4. Gaze -- 5. Tissus à plis -- 6. Étoffes bouclées

Darnall, D. T. (1975). The creative ojo book a comprehensive handbook for the imaginative crafting of the eye of God talismans. Phoenix, Ariz: Hunter Pub. Co.
Notes: LC Control Number: 76007023 //r90

De Franchis, A., Wertime, J. T., Iran-America Society, Tehran, & Tehran Rug Society. (1976?). Lori and Bakhtiyari flatweaves. s.l: s.n.
Notes: Includes bibliographical references

De Rodriguez, J. Z., & Ziek, N. (1978). Weaving on a backstrap loom pattern designs from Guatemala. New York: Hawthorn Books.
Notes: LC Control Number: 77072809
Bibliography: p. 182-183

Delgada, H. S. d. (1984). Aboriginal Guatemalan handweaving and costume. Ann Arbor, Mich: University Microfilms.
Notes: Bibliography: leaves 419-428
Includes appendices

Dockstader, F. J. (1978). Weaving arts of the North American Indian. London, New York: J. J. Kery.
Notes: LC Control Number: 80500169 //r932
Bibliography: p. 210-219

Dockstader, F. J. (1993). Weaving arts of the North American Indian (Rev. ed ed.). New York: IconEditions.
Notes: LC Control Number: 93032460 //r94
Includes bibliographical references (p. 210-219) and index

Douglas, H. C. (1950). The double weave a Shuttle-Craft Guild guide for double-woven fabrics. Virginia City, Mont: Shuttle-Craft Guild.

Educational Filmstrips (Firm). (1979). Color & weaving in Mexico & Guatemala. Huntsville, Tex: Educational Filmstrips.
Notes: Added Title: Color and weaving in Mexico and Guatemala
Abstract: Shows the process of making hand-woven cloth, how it is used in garments, and the relationship of clothing to local social customs

Educational Filmstrips (Firm). (1979). Colores y tejidos de Mexico y Guatemala. Huntsville, Tex: Educational Filmstrips.
Notes: Contents: 1. Mexico: primera parte (57 fr.).--2. Mexico: segunda parte (50 fr.).--Guatemala: tercera parte (58 fr.)
Added Title: Color & weaving in Mexico and Guatemala
Abstract: Shows the process of making hand-woven cloth, how it is used in garments, and the relationship of clothing to local social customs

Educational Projections Corporation. Weaving/Spinning.
Notes: LC Control Number: 73736203 /F
Abstract: A reading program which reinforces spelling skills. Shows the process used by early colonists to weave cloth from wool, cotton, and flax. With captions. For primary grades

El Salvador, Dirección del Patrimonio Cultural, Sección de Etnografía, & Sub-Centro Regional de Artesanías y Artes Populares (Guatemala). (1991). Telares de palancas de El Salvador (1. ed ed.). (Colección Tierra adentro No. 11). Guatemala, Guatemala C.A: Subcentro Regional de Artesanías y Artes Popular.
Notes: LC Control Number: 92207837
Includes bibliographical references (p. 185-186)

Erkkila, B. G. (1971). A presentation of pottery and weaving. Moscow, Id: University of Idaho.

Farrar, S. (1979). Basic double weave theory (step by step instructions in 4, 6, & 8 harness double weavers). McMinnville, Or: Robin & Russ Handweavers.

Farrar, S. (1985). Basic double weave theory step by step instructions in 4, 6, & 8 harness double weavers (2nd ed ed.). McMinnville, Or: Robin & Russ Handweavers.

Farrar, S. (1990). Basic double weave theory step by step instructions in 4, 6, & 8 harness double weavers (3rd ed ed.). McMinnville, Or: Robin & Russ Handweavers.

Field, A. (1987). The four-shaft table loom. London: Dryad Press.

Field, A. (1986). The four-shaft table loom an introduction to weaving. Melbourne: Nelson.

Field, A. (1995). The four-shaft table loom an introduction to weaving. Christchurch, N.Z: Shoal Bay Press.
Notes: LC Control Number: 95220797

Fisher, L. E. (1966). The weavers (Colonial American craftsmen . New York: F. Watts.
Notes: LC Control Number: 66010581

Fisher, L. E. (1970). The weavers (Library ed ed.). (Colonial American craftsmen . Englewood Cliffs, N.J: Responsive Environments Corp.
Notes: LC Control Number: 66010581

Forbes, A., Fawzia, A. l. i., & Museum of Mankind. (1980). Weaving in the Maldive Islands, Indian Ocean the fine mat industry of Suvadiva Atoll (illustrated by mats held in the collection of the Museum of Mankind) (Occasional paper / British Museum: Occasional paper (British Museum) No. no. 9). London: British Museum.
Notes: LC Control Number: 82208750
Includes bibliographical references

Frame, M. (1989). A family affair making cloth in Taquile, Peru (Museum note / UBC Museum of Anthropology = Note du Musée / Musée d'anthropologie de l'Université de la Colombie-Britannique: Museum note (University of British Columbia. Museum of Anthropology) No. no. 26). Vancouver: U.B.C. Museum of Anthropology = Musée d'anthropologie de l'Université de la Colombie-Britannique.
Notes: LC Control Number: ce 89091234
Includes bibliographical references
Added Title: Une affaire de famille

Franchis, A. d., Housego, J., & Iran America Society. (1975). Tribal animal covers from Iran an exhibition held at the Iran America Society, Teheran, April 15 - May 13, 1975. Teheran: Teheran Rug Society.

Frank, B. E., & Indianapolis Museum of Art. (1982). Woven traditions of rural Morocco catalogue of selected weavings from the Indianapolis Museum of Art permanent collection.
Notes: Bibliography: leaves 75-84

Frank, R. M. (1978). From rags to riches = De guenilles aux richesses : catalogne (tapis de guenilles). Lewiston, Me: National Endowment for the Arts. Franco-American Festival/Festival Franco-Américain.

Franquemont, E. (1985). An introduction to Andean pickup weaving. Ithaca, N.Y: E.M. Franquemont.
Notes: Availability: E.M. Franquemont, 319 Mitchell St., Ithaca, N.Y., 14850
Includes bibliographies
Added Title: Andean pickup weaving

Frey, B. (1972). Four harness weaving. West Hartford, Conn: Handweavers Guild of America, Inc.

Gandhi, M. P. (1931). How to compete with foreign cloth a study of the position of hand-spinning, hand-weaving, and cotton mills in the economics of cloth production in India (SAMP early 20th-century Indian books project No. item 08054). Calcutta: Book Co.
Notes: LC Control Number: 98910019
Includes bibliographical references and index

Garbe, L., Handweavers Guild of America, Illinois Region, Illinois State University, & Art Dept (Eds.). Fiber News Illinois Region, Handweavers Guild of America Normal, Ill: Art Dept., Illinois State Univ.
Notes: LC Control Number: sn 86001387
Availability: Linda Garbe, P.O. Box 1622, Bloomington, IL 61702-1622

García Valencia, E. H., Instituto Nacional de Antropología e Historia (Mexico), & Museo Nacional de Antropología (Mexico). (1975). Textiles vocabulario sobre materias primas, instrumentos de trabajo y técnicas de manufactura (Cuadernos de trabajo: Etnografía, técnicas: Cuadernos de trabajo (Museo Nacional de Antropología (Mexico). Sección de Etnografía): Cuadernos de trabajo (Museo Nacional de Antropología (Mexico). Sección de Etnografía) No. 3). México: Instituto Nacional de Antropología e Historia.
Notes: Added Title: Textiles, vocabulario sobre materias primas
Added Title: Vocabulario sobre materias primas

Gauslaa, T., & Østby, T. (1977). Åkleboka nye mønstre i gamle teknikker. Oslo: Landbruksforl.
Notes: LC Control Number: 80467826

Gauslaa, T., Østby, T., Nelson, M. J., & Nelson, L. (1984). The coverlet book new patterns in old techniques / by Torbjørg Gauslaa and Tove Østby ; translated by Marion and Lila Nelson ; with assistance of Ruth Arnsberger. Decorah, Iowa: Vesterheim Norwegian-American Museum.

Geldard, J. (1867). Hand-book on cotton manufacture or, A guide to machine-building, spinning and weaving, with practical examples, all needful calculations, and many useful and important tables (Selected Americana from Sabin's Dictionary ... New York: J. Wiley & son.

Gilbertson, L. K., & Colburn, C. A. (1997). Handweaving in the Norwegian Tradition. Decorah, Iowa: Vesterheim Norwegian-American Museum.

Glowacki, D., Shannon, B., & Handweavers Guild of America. (1980). Shuttle, spindle & dyepot. West Hartford, Conn: Distributed by Handweavers' Guild of America.

Goforth, F. D., Beatty, W. W., United States, & Bureau of Indian Affairs. (1947). Weave it yourself. Lawrence, Kan: Printed by Haskell Institute.
Notes: LC Control Number: 47031797

Gordon, J. (1995). American star work coverlets. New York: Design Books. Distributed by Lyons & Burford.
Notes: LC Control Number: 94045879
Includes bibliographical references (p. 150-151) and index

Greenville County Museum of Art. (1976?). Textiles, past & prologue national handweavers invitational exhibition, Greenville County Museum of Art, Greenville, South Carolina, 24 October--30 December, 1976. Greenville, S.C: The Museum.
Notes: Added Title: Textiles, past and prologue

Gregg, R. B. (1928). Economics of Khaddar. Triplicane, Madras: S. Ganesan.
Notes: LC Control Number: 28017190 //r
"Bibliography on Indian hand-spinning and hand-weaving and the Khaddar movement": p. [203]-207
Contains bibliographies
Added Title: Khaddar

Gregg, R. B. (1946). Economics of khaddar. Ahmedabad: Navajivan Publishing House.
Notes: LC Control Number: 47023783
"Bibliography on Indian hand-spinning and hand-weaving and the Khaddar movement": p. [198]-202
Includes bibliographies
Added Title: Khaddar

Grimes, N., & Bryan, A. (1999). Aneesa Lee and the weaver's gift. New York: Lothrop, Lee & Shepard.
Notes: LC Control Number: 98031659
Abstract: A collection of poems describes Aneesa Lee's activities as she prepares materials for weaving and works the loom before marveling at the beauty and meaning of her handicraft

Grise, S. S. S. (1988). A double weave exploration.
Notes: Bibliograpgy: leaf 67

Gutteter, L., Tapp, R., St. Cloud State University, Learning Resources Services, & Production Services. (1973?). Spaced double weave a weaving technique. St. Cloud, Minn: Production Services.
Notes: Performer Note: Featuring Lee Gutteter
Abstract: Lee Gutteter demonstrates the spaced double weaving technique

Hagan, A. J. (1970). An analysis of the hand weaving sector of the Guatemalan economy. Austin, Tex..
Notes: Bibliography: . 159-162

Hagan, A. J. (1970). An analysis of the hand weaving sector of the Guatemalan economy.
Notes: Bibliography: leaves 159-162

Hall, E. C., & Hall, E. C. (1988). The book of handwoven coverlets. New York: Dover Publications.
Notes: LC Control Number: 87037101

Hall, J. (1976). Mexican tapestry weaving. Helena, MT: J. Arvidson Press.
Notes: LC Control Number: 77351132 //r93
Bibliography: p. 155-156

Halsey, M. (1978). Double cloth (Monographs / Handweavers Studio: Monographs (Handweavers Studio) No. 2). London (26 Haroldstone Rd E17 7AN): Handweavers Studio and Gallery Ltd.

Halsey, M., & Handweavers Studio. (1978). Double cloth (Monograph series: Monograph series (Handweavers Studio) No. no. 2). London: Handweavers Studio.

Handweavers Guild of America. (1992). Convergence '92 sample exchange. Washington, D.C: Handweavers Guild of America.
Notes: Added Title: Sample exchange

Handweavers Guild of America (Ed.). HGA Education Directory West Hartford, CT: Handweavers Guild of America.

Handweavers Guild of America. (1977-). HGA education directory, 1977-. West Hartford, Conn: Handweavers Guild of America.
Notes: Added Title: Education directory

Handweavers Guild of America (Ed.). (1977-). HGA Education Directory - Handweavers Guild of America West Hartford, Conn: Handweavers Guild of America.

Handweavers Guild of America (Ed.). HGA Suppliers Directory West Hartford, Conn: Handweavers Guild of America.
Notes: LC Control Number: sn 88000806
Availability: Handweavers Guild of America, 65 La Salle Rd., West Hartford, CT 06107

Handweavers Guild of America (Ed.). (1984-). Quarter Notes From HGA West Hartford, Conn: Guild of America, Handweavers.
Notes: Availability: Handweavers Guild of America, 65 La Salle Road, West Hartford, CT 06107

Handweavers Guild of America (Ed.). (Vol. 1, no. 1 (Dec. 1969)-). Shuttle, Spindle & Dye-Pot West Hartford: Handweavers Guild of America.
Notes: LC Control Number: 75649472
Citations: Art index
Citations: Art and archaeology technical abstracts
Citations: Bibliography of agriculture

Handweavers Guild of America (Ed.). Shuttle, Spindle, & Dyepot West Hartford, CT: Handweavers Guild of America.

Handweavers Guild of America (Ed.). (1969-). Shuttle, Spindle & Dyepot West Hartford, Conn: Handweavers Guild of America.

Handweavers Guild of America. Suppliers directory. West Hartford, CT: The Guild.

Handweavers Guild of America (Ed.). Suppliers directory (Handweavers Guild of America): Suppliers directory West Hartford, CT: The Guild.
Notes: LC Control Number: sn 87012848

Handweavers Guild of America, & Handweavers Guild of America (Eds.). Handweavers Guild of America Suppliers Directory West Hartford, CT: Handweavers Guild of America.
Notes: LC Control Number: 76645741 //r82
Availability: 998 Farmington Ave., 06107

Handweavers Guild of America, Service Committee, & Edwards, L. K. (1976). Helps and hints a handbook of projects and ideas for use in service programs by weavers, spinners, therapists, teachers. West Hartford, Conn: The Committee.

Harcourt, R. d., Denny, G. G., & Osborne, C. M. (1962). Textiles of ancient Peru and their techniques. Seattle: University of Washington Press.
Notes: LC Control Number: 93202596
Includes bibliographical references (p. 141-146)

Hedlund, A. L. (1983). Contemporary Navajo weaving an ethnography of a native craft.
Notes: Bibliography: leaves [334]-349

Hedlund, A. L. (1994). Contemporary Navajo weaving thoughts that count (Plateau: Plateau (Flagstaff, Ariz. : 1939) No. v. 65, no. 1). Flagstaff, Ariz: The Museum of Northern Arizona Press.
Notes: Includes bibliographical references (p. 32)

Hedlund, A. L., & Denver Art Museum. (1992). Reflections of the weaver's world the Gloria F. Ross Collection of Contemporary Navajo Weaving. Denver, Colo, Seattle: Denver Art Museum. distributed by the University of Washington Press.
Notes: LC Control Number: 92072353
Includes bibliographical references (p. 110-112)

Henry Ford Museum and Greenfield Village, & Journal Films, inc. (1979). Handcrafted in America. Evanston, Il: Edison Institute at Greenfield Village ; distributed by Journal Films.
Abstract: Filmed entirely at Henry Ford's Greenfield Village in Michigan, this film traces the history of handcraft skills from America's colonial period through the age of industrialization and mechanization. Many types of handcraft skills are viewed such as blacksmithing, spinning and weaving, rug-hooking, pottery, coopering, broommaking, silkmilling, tinsmithing, and more

Hest, A., Blood, C. L., Link, M., & Aliki. (1986). The Purple coat (Reading rainbows No. Vol. 50). Lincoln, NE: GNP.
Notes: Contents: Videocassette accompanied by books : 1. The purple coat / by Amy Hest (unp. : col. ill. ; 26 cm.) -- 2. The goat in the rug / by Charles L. Blood and Martin Link (unp. : col. ill. ; 26 cm.)-- 3. How a book is made / by Aliki (32 p. : col. ill. ; 26 cm.)
Added Title: Goat in the rug
Added Title: How a book is made
Abstract: LeVar visits the Fashion Institute of Technology and New York City's garment district

Hollingsworth, I. L., & Adams, C. H. (1988). Early American charted designs 51 motifs from antique coverlets (Dover needlework series . New York: Dover.
Notes: LC Control Number: 88016153

Holm, B. (1934-1947). A wooling mantle neatly wrought the early historic record of Northwest Coast pattern-twined textiles--1774-1850. American Indian Art Magazine.

Hooper, L., & Rooke, N. (1979). Hand-loom weaving plain & ornamental. London: Pitman etc.

Houlihan, P. T. (1987). Harmony by hand art of the Southwest Indians, basketry, weaving, pottery. San Francisco: Chronicle Books.
Notes: LC Control Number: 87006321 //r94
Bibliography: p. 104-106
Contents: Introduction : where lifeways endure / Patrick Houlihan -- Basketry : from foundations past / Jerold L. Collings -- Weaving : the woven spirit / Sarah Nestor -- Pottery : the ceramic tradition / Jonathan Batkin

Indian Arts & Crafts Association (U.S.). (1988?). Introduction to Southwestern Navajo weaving. Albuquerque, N.M: Indian Arts & Crafts Association.

International Film Foundation, & McGraw-Hill Book Company. Mary visits Poland.
Notes: LC Control Number: fia52002170
Abstract: A study of the customs and ways of living of the people of Poland, narrated by an American school girl who tells about her trip. Describes the villages, the hard work in the fields, the native costumes, the dances and music, the products raised, school life, weaving of cloth, lace-making, and peasant crafts of embroidery and hand painting

James, G. W. (1910). Indian blankets and their makers. Mentor (Crowell Publishing Company), p. 13-28.

Jaramillo Cisneros, H. (1991). Artesanía textil de la Sierra Norte del Ecuador (1. ed ed.). Otavalo, Ecuador, Quito, Ecuador: Instituto Otavaleño de Antropología. Ediciones Abya-Yala.
Notes: LC Control Number: 91226520 //r93
Includes bibliographical references (p. 141-146)

Johnson County Community College (Overland Park, Kan.), & Gallery of Art. (1994). The plateau bag a tradition in Native American weaving : [exhibition] Johnson County Community College, Gallery of Art. Overland Park, Kan.: The Gallery of Art.
Notes: LC Control Number: 96109726

Johnson, E. L., Bernick, K. N., University of British Columbia, & Museum of Anthropology. (1986). Hands of our ancestors the revival of Salish weaving at Musqueam (Museum note / U.B.C. Museum of Anthropology: Museum note (Vancouver, B.C.) No. no. 16). Vancouver?: University of British Columbia, Museum of Anthropology.
Notes: LC Control Number: cn 96006684
Bibliography: p. 31

Jones, J. Joyce Jones papers.
Abstract: Papers and photographs relating to her participation in various local art organizations, especially the Ann Arbor Art Association, the Ann Arbor Street Art Fair, the fine arts section of the Michigan Academy of Science, Arts, and Letters; and her participation in handweaving associations, including the Ann Arbor Handweaver's Guild, the Handweaver's Guild of America, the Michigan League of Handweavers, and the handweaving classes at the Y.M.-Y.W.C.A

Joyaux, A., Ball State University, & Art Gallery. (1984?). Indiana coverlets selections from the John and Janet Simmermaker Collection : Ball State University Art Gallery, December 23, 1984-January 27, 1985. Muncie, Ind: Ball State University Publications Office.

Kelley, J. E. (1970). Implications for the uses of double weave techniques by contemporary handweavers who produce one-of-a-kind objects or limited production pieces.
Notes: Bibliography: leaves 79-80

Kellman, J. A. (1991). Weaving huipiles narratives of three Maya women weavers.
Notes: Includes bibliographical references (leaves 227-233)

Kelly, K., & Overlie, G. (1973). Weaving (An Early craft book . Minneapolis: Lerner Publications Co.
Notes: LC Control Number: 72013336
Abstract: Simple instructions for making several kinds of looms and weaving on them, with suggestions for various projects

Kissell, M. L., & National Association of Cotton Manufacturers (United States). (1910). Aboriginal American weaving advance copy subject to author's revision. Annual meeting no. 88, National association of cotton manufacturers. Boston, Mass.

Klein, K., & Getty Conservation Institute. (1997). Unbroken thread: El hilo continuo la conservación de las tradiciones textiles de Oaxaca. Los Angeles: Getty Conservation Institute.
Notes: LC Control Number: 97021839
Includes bibliographical references (p. 145-151)

. (1993). A. F. Kramer, iv, 71 leaves.
Notes: Includes bibliographical references (leaves 68-70)

Lange, P., & Dallas Public Library. (198). In beauty it is finished. S.l: s.n.

Lange, P., & Dallas Public Library. (1983). In beauty it is finished the McDermott Collection of Navajo blankets at Dallas Public Library. Dallas, Tex: Dallas Public Library.

Larsen, J. L., Larsen, J. L., American Craft Council, American Craft Council, & Slide and Film Service. (1987). Interlacing, the elemental fabric. New York, NY: American Craft Council, Slide and Film Service.
Notes: LC Control Number: 88705017 /F
Abstract: Documents in part, both the exhibition "Interlacing: the elemental fabric" curated by Jack Lenor Larsen, and the book of the same title that he wrote with Betty Freudenheim. Helps to illustrate the great range of fabric constructions known as interlacing

Lavalle, J. A. d., & González García, J. A. (1991). Arte textil del Perú: The textile art of Peru collection ([English ed.], expanded and enl. version of the original Spanish text and ill ed.). Lima, Perú: L.L. Editores. Industria Textil Piura.
Notes: Includes bibliographical references

Lechuga, R. D. (1982). Las técnicas textiles en el México indígena (1a ed ed.). Mixcoac, D.F: FONART. FONAPAS.
Notes: Bibliography: p. 47-[48]

Lipke, K., McKay, J., & DAKOTA Productions Canada. (1993). Daughters of Ixchel Maya thread of change. Montreal: DAKOTA Productions Canada.
Abstract: Looks at Maya women today and their ancient process of weaving while also examining the forces at work which are profoundly affecting both the women and the weaving

Lipke, K. V., McKay, J., Hendrickson, C. E., Dakota Productions, University of California (System), & Extension Center for Media and Independent Learning. (1993). Daughters of Ixchel Maya thread of change. Berkeley, CA: University of California, Extension Center for Media and Independent Learning.
Abstract: Looks at Maya women today and their ancient process of weaving while also examining the forces at work which are profoundly affecting both the women and the weaving

Little Bear, B., Little Bear, J., & Little Bear Production. (199). Fingerweaving. Columbia, Md: Little Bear.
Abstract: Presents a how-to-do-it demonstration of different fingerweaving techniques using colorful yarns for use in Native American dance regalia ; includes diagonal, chevron, arrow, and nested arrow or flame patterns, and various finishing techniques

Little loomhouse group. (1946). Little loomhouse country fair contemporary American handwoven textiles, seventh season, 1945-1946. Louisville, Ky.
Notes: Added Title: Contemporary American handwoven textiles

Loop, W., & Nanaba. (1996). Basic Navajo weaving. Sun Lakes, AZ: s.n.
Notes: Performer Note: Demonstrated by Nanaba ; narration by Walker Loop

López López, A., & Sub-Centro Regional de Artesanías y Artes Populares (Guatemala). (1982). Tejeduría artesanal manual (1a ed ed.). (Colección Tierra adentro No. 2). S.l.: Sub-Centro Regional de Artesanías y Artes Populares.
Notes: LC Control Number: 83130837
Bibliography: p. 162-163

Loughran-Delahunt, I. (1996). A functional analysis of Northwest Coast spindle whorls.
Notes: Includes bibliographical references (leaves 68-74)

Marín Velásquez, M. (1989). Tintes y tejidos tradición oral cajamarquina (Biblioteca campesina No. t. 3). Cajamarca, Perú, Lima: Proyecto Enciclopedia Campesina. TAREA, Asociación de Publicaciones Educativas.
Notes: LC Control Number: 89816625

Martínez Hernández, R. (1990). K'uk'umal chilil el huipil emplumado de Zinacantán (1. ed ed.). Tuxtla Gutiérrez, Estado de Chiapas, México: Casa de las Artesanías de Chiapas.
Notes: LC Control Number: 92106342 //r93
Includes bibliographical references (p. 41-42)

Mason, O. T. (1975). A primitive frame for weaving narrow fabrics. Seattle: Shorey Bookstore.

Mattera, J. (1976). Navajo techniques for today's weaver. New York, London: Watson-Guptill. Pitman.
Notes: LC Control Number: 75012648
Bibliography: p. 157-158

Maxwell Museum of Anthropology, & Stout, C. (1976?). Weavers of the jade needle textiles of highland Guatemala (Maxwell Musuem of Anthropology publications No. no. 1). Albuquerque: Maxwell Museum of Anthropology, University of New Mexico.
Notes: Bibliography: p. [1]

Maxwell Museum of Anthropology, & Stout, C. (1976). Weavers of the jade needle textiles of highland Guatemala : [exhibit] February 29, 1976 to October 1, 1976 (Publications - Maxwell Museum of Anthropology . Albuquerque: The Museum.
Notes: Bibliography: p. [20]

Mejía de Rodas, I., & Miralbés de Polanco, R. (1989). Change in Colotenango costume, migration, and hierarchy (Ediciones del Museo Ixchel: Ediciones del Museo Ixchel No. no. 5). Guatemala: Museo Ixchel del Traje Indígena de Guatemala.
Notes: LC Control Number: 91206871 //r93
Includes bibliographical references (p. 139-142)

Mera, H. P. (1987). Spanish-American blanketry its relationship to aboriginal weaving in the Southwest. Santa Fe, N.M: School of American Research Press.
Notes: LC Control Number: 87012879 //r90
Includes bibliographical references

Miles, V. (1963). Practical four-shaft weaving including fourteen useful articles. Leicester: Dryad Press.

Montgomery, P. (1974). Indiana coverlet weavers and their coverlets. Indianapolis: Hoosier Heritage Press.
Notes: LC Control Number: 75314888
Includes bibliographical references and index

Morales Hidalgo, I. (1982). U cayibal atziak = Imágenes en los tejidos guatemaltecos = Images in Guatemalan weavings. Guatemala: Ediciones Cuatro Ahau.
Notes: LC Control Number: 83158609 //r93
Added Title: Imágenes en los tejidos guatemaltecos
Added Title: Images in Guatemalan weavings

Morales Hidalgo, I. (1990). U cayibal atziak = Imágenes en los tejidos guatemaltecos = Images in Guatemalan weavings (2. ed ed.). Guatemala, Centroamérica: Ediciones Cuatro Ahau.
Notes: Includes bibliographical references (p. viii)
Added Title: Imágenes en los tejidos guatemaltecos
Added Title: Images in Guatemalan weavings

Morales Hidalgo, I. (1992). U cayibal atziak = Imágenes en los tejidos guatemaltecos = Images in Guatemalan weavings. Antigua (Guatemala): Libros San Cristóbal.
Notes: Added Title: Imágenes en los tejidos guatemaltecos
Added Title: Images in Guatemalan weavings

Munson-Williams-Proctor Institute, & Museum of Art. (1964?). Two craftsmen of central New York [exhibition] : February 16 through March 29, 1964. Utica, N.Y: Munson-Williams-Proctor Institute.

Murray, M. (1974). Hand weaver (Real people at work: Occupational awareness series No. cluster 10.5). Cleveland, Ohio: Educational Research Council of America.

Museo Ixchel del Traje Indígena (Ed.). (1991-). Serie Tejidos De Guatemala Guatemala: Museo Ixchel del Traje Indígena.
Notes: LC Control Number: sn 93030976

Museo Ixchel del Traje Indígena de Guatemala. (1994). Mayan clothing of Guatemala. Guatemala, C.A: Museo Ixchel.
Notes: Performer Note: Narration, Alfred Kaltschmitt

Museo Ixchel del Traje Indígena de Guatemala (Ed.). Museo Ixchel Del Traje Indígena De Guatemala Noticias Guatemala: El Museo.
Notes: LC Control Number: 00248016

Museo Ixchel del Traje Indígena de Guatemala, Miralbés de Polanco, R., & Mayén de Castellanos, G. (1991). Trajes de San Juan Sacatepéquez y San Raymundo catálogo de piezas seleccionadas de la colección del Museo Ixchel del Traje Indígena (Serie Tejidos de Guatemala No. vol. 1). Guatemala: El Museo.
Notes: LC Control Number: 92154702 //r942
Includes bibliographical references (p. 111-112)

Musillo, C. H. (1968). Contemporary Navajo weaving.
Notes: Bibliography: . 83-85

Nelson, J., & Markowsky, J. (1983). The weavers (A Queen Charlotte Islands reader . Vancouver, Canada: Pacific Educational Press.

Nelson, J., Markowsky, J., & Western Education Development Group. (1983). The weavers (A Queen Charlotte Islands reader . Vancouver: WEDGE, Faculty of Education, University of B.C.
Notes: LC Control Number: cn 83091295

Newark Museum, & White, M. E. (1947). American hand-woven coverlets in the Newark Museum. Newark.
Notes: LC Control Number: 47027851 //r81
Books on weaving and coverlets" : p. 83

Newark Museum Association, & White, M. E. (1947). American hand-woven coverlets in the Newark Museum. Newark.
Notes: "Books on weaving and coverlets": p. 83

. (1989). C. A. Norton, xv, 240 leaves.
Notes: Bibliography: leaves 228-240

Organization of American States, & Museum of Modern Art of Latin America. (1976). Peru--alpaca weaving. Washington, D.C: Museum of Modern Art of Latin America.
Notes: LC Control Number: 83720076 /F
Abstract: Presents scenes showing the raising of alpacas and llamas, weaving and sale of cloth, and examples of various woolen articles typical of Peru

Owen, R. (1995). Braids 250 patterns from Japan, Peru & beyond (U.S. ed ed.). Loveland, Colo: Interweave Press.
Notes: LC Control Number: 94046984
Includes bibliographical references (p. 156-157) and index

Parslow, V. D. (1949). Weaving and dyeing processes in early New York with a description of spinning fibers. Cooperstown, New York: The Farmers' Museum.

Pendleton, J., Banks, W., Groomes, B., Harwood, A., Harwood, M. P., Harwood, W., Pendleton, B., Pendleton, P., Pollard, R., Price, R., Segaugne, L., & Wayne, A. Memorandum books, 1778-1801 and 1784-1786.
Abstract: Volume One contains mathematics problems involving fractions, and recipes for medicinal preparations; also accounts, 1778-1801, with friends and family members. Most detailed accounts are those concerning the estates of William Banks, decd., and Mariah [sic] [Maria] Pendleton Harwood, orphan. These extend into the 1790's and early 1800' and are in a slightly different hand[?] Volume Two concerns accounts of taxes for 1784 and 1785 and contains blank handwritten forms for various bonds. Also, receipts and execution book for Pendleton acting as Deputy Sheriff, 1786. Later insertions include an essay, "On forcing fruit trees to bear fruit," a series of Latin lessons and several pages of weaving patterns, all in different hands

Pennell, W. W. (1923). Not the king's will, and other literary efforts in prose and in verse. New York: Federal Printing Company.
Notes: LC Control Number: 24001292
Contents: The actor -- After -- Written in an Album -- The Alchemist -- All Hail, Old World! -- American liberty -- The greater armistice -- Aristocracy, Dumpville -- Athletics -- Baby -- The baby-his rights and expectations -- Baby's train -- Little bird -- The Captains's story -- Change -- Christmas -- The first Christmas -- Compensation -- 'Coon humter's song -- Carroll Celesus Pennell --The Dead -- Death -- Deliverance -- Depravity -- Dewey and Sampson -- Discussion -- The doctors at home -- Down the Ohio -- The Kaiser's dream -- The sentinel's dream -- The editor and the poet -- Elegy in a dissecting room -- Faith -- Faith, hope and charity -- At fifty -- His Mother's flag -- Let them not pollute the flag -- The flag overhead -- The flag of strong America -- A tribute to the flag -- Two friends -- Honorable speckled frog -- Fruition -- The future of pediatric science -- Garfield -- Our girls -- Our little girl -- Give me your hand -- A nation's grief -- Hans Stein to his grandson -- The heart deserted -- Home -- President Harding -- If -- If you were me -- Cervical glandular infection -- An inscription -- What Jim thought -- The two kitties -- The Knox memorial -- Life -- The path of life -- Lincoln -- Love's belief -- Lullaby -- President McKinley -- In memoriam -- Memories -- Mixing medicine and law -- F. & A.M. Mount Zion Lodge -- My Bonnie lass and I -- Not the King's will -- One of the guards -- Over the Mason's wall -- Over the way -- Pat Hogan's 'pendisatis -- The greater peace -- Peaches -- Picknicking -- The potter -- A prayer -- prologue --Queen of the race track -- Quite Natural -- The rain -- To a rattlesnake's skin -- The red cross -- My rose -- The rose -- Sammie's substitute -- Sea sickness -- serenity -- Sing! Sing! Dr. Darlington J. Snyder -- Song of the spirit of dust -- Song of winter -- The spectacle man -- Thanksgiving -- These beautiful things -- A literary tramp -- At the grave of an unknown soldier -- The small city visitor -- The voyagers -- Watch your step -- Holiness of war -- The war of the Hun isn't hell -- The warrior, Statesman and Christian -- Weaving the web -- The woodchopper -- Xylol -- The changing year -- Yesterday, to-day and tomorrow -- Zillah

Pilafian, P., Cineco (Firm), & Encyclopaedia Britannica Educational Corporation. (1978). Master weavers of the Andes. S.l., Chicago, Ill: Cinéco. Encyclopaedia Britannica Educational Corp. distributor.
Notes: Performer Note: David Ossman
Abstract: Examines the craft of weaving as practiced by the Quechua Indians near Cuzco, Peru. Points out that except for the use of chemical dyes the processes of spinning and weaving are practiced as they have been for centuries

Pothmann, M. (1992). Quien sabe-- ? die traditionelle Kleidung der Amuzgos im Wandel zum mexikanischen Souvenir (Mundus Reihe Ethnologie No. Bd. 54). Bonn: Holos.
Notes: LC Control Number: 94169407
Includes bibliographical references (p. 105-123)

Poulsen, G. P. (1958?). 123 nye vævemønstre for rammevæv. Copenhagen: Gjellerups.

Prochaska, R. (1988). Taquile tejiendo un mundo mágico = weavers of a magic world (1a ed ed.). Jesús María Peru: Arius.
Notes: LC Control Number: 89214821 //r94
Includes bibliographical references (p. [72])

Prochaska, R., & Prochaska, R. (1990). Taquile y sus tejidos version castellano-english (2. ed ed.). Jesús María Peru: Arius.
Notes: LC Control Number: 94184030
Includes bibliographical references (p. [131]-[134])

Rawers, J. (1970). Dimensional textile design.

Rebolledo, L. (1991). Artesanas de Rari tramas en crin (Colección Artes y oficios No. v. 2). Santiago, Chile: Ediciones CEDEM.
Notes: LC Control Number: 92144766 //r93

Renken, A. H. (1986). Symbolic ethnicity in the rag rug weaving craft of Finnish-Americans.
Notes: Bibliography : leaves 178-189

Rhule, L. E. H., Indiana University of Pennsylvania, & Graduate School. (1984). The four seasons an exhibit of woven clothing.
Notes: Bibliography: leaves [158]-159

Rodas R., F. F. (1994). Tejidos tradicionales de Andahuaylas. Lima: Universidad Nacional Mayor de San Marcos, Seminario de Historia Rural Andina.
Notes: LC Control Number: 95144082

Rodríguez, M., & Summer Institute of Linguistics. (1986). A' u ak'on nituch ti' u sajchii = El proceso del maguey : San Juan Cotzal, El Quiché (Serie Didáctica maya-ixil . Guatemala, Centro América: Instituto Lingüístico de Verano.

Roessel, M. (1995). Songs from the loom a Navajo girl learns to weave (We are still here . Minneapolis: Lerner Publications.
Notes: LC Control Number: 94048765
Includes bibliographical references (p.47)

Roth, H. L. (1925). The Maori mantle. Halifax, Eng: Bankfield Museum.

Rowe, A. P. (1977). Warp-patterned weaves of the Andes. Washington: Textile Museum.
Notes: LC Control Number: 77073936
Bibliography: p. 116-119

Roy, T. (1993). Artisans and industrialization Indian weaving in the twentieth century. Delhi, New York: Oxford University Press.
Notes: LC Control Number: 93908795
Includes bibliographical references (p. [225]-235) and index

Samuel, C. (1982). The Chilkat dancing blanket. Seattle, Wash: Pacific Search Press.
Notes: LC Control Number: 82005824 //r93
Bibliography: p. [226]-228

Samuel, C. (1990). The Chilkat dancing blanket. Norman, London: University of Oklahoma Press.
Notes: LC Control Number: 82005824
Bibliography: p. 226-228.-Includes index

Samuel, C. (1987). The raven's tail. Vancouver: University of British Columbia Press.
Notes: LC Control Number: 88154292 //r942
Includes bibliographical references (p. 164-165)

Samuel, C., Foster, S., & KTOO (Television station : Juneau, Alaska). (1991). Rain country. Juneau, Alaska: KTOO-TV.
Notes: Contents: Who we are -- Raven's tail
Performer Note: Host: Scott Foster
Added Title: Who we are
Added Title: Raven's tail
Abstract: A cultural potlatch is held in Petersburg to honor and teach the value of knowing who we are. Weavers gather in Ketchikan to learn the story and technique of the Raven's tail weaving. Author Cheryl Samuel shares her knowledge of this weaving that predates the Chilkat blanket

Schevill, M. (1980). The persistence of Maya Indian backstrap weaving in San Antonio Aguas Calientes, Sacatepéquez, Guatemala.
Notes: Includes bibliographical references (leaves 88-94)

Schjellerup, I. (1980). Inkapigens væv. København: Nationalmuseet.
Notes: LC Control Number: 81115996

Schofield, N. A. (1979). Double weave weaving and interweaving layers of cloth.

Seligmann, L. J. (1978). The role of weaving in the contemporary Andean socio-economic formation.
Notes: Includes bibliographical references

Semrau, P. D., Indiana University of Pennsylvania, & Graduate School. (1974). Development of a tapestry.
Notes: Includes bibliographies

Silverman, G. P. (1994). El tejido andino un libro de Sabiduría. Lima: Banco Central de Reserva del Perú, Fondo Editorial.
Notes: LC Control Number: 94226203 //r95
Includes bibliographical references (p. [185]-196) and index

Silverman, G. P. (1998). El tejido andino un libro de sabiduría (2. ed. corr. y aum ed.). (Sección de obras de antropología . México, D.F: Fondo de Cultura Económica.
Notes: Includes bibliographical references (p. [217]-238)

Silverman, G. P., Chauca, S., Callañaupa, N., & Awana Wasi del Cusco. (1995). The Cusco area textile tradition (Awana Wasi del Cusco: Awana Wasi del Cusco (Series) No. t. 4). Cusco: Awana Wasi del Cusco.
Notes: LC Control Number: 96211222
Includes bibliographical references (p. 49)

Singh, B., & Manipuri Nartanalaya. (1972). Manipuri dance course.
Notes: Contents: Cassette 1. IV year (ca. 50 min.). Nritta bandha (Punglol jagoi) (dances to talas or time measures): Chali, danced in lasya [feminine] style / performed by Darshana -- Chali, danced in tandava [masculine] style / performed by Latasana -- Tanchep, danced in tandava style / performed by Kalavati -- Menkup, danced in lasya style / performed by Ranjana -- Menkup, danced in tandava style / performed by Kalavati
Contents: Cassette 2. IV year, continued (ca. 61 min.). Tevda, danced in lasya style / performed by Darshana -- Prabandha nritta (dances to musical compositions): Krishna nartan / dance of Krishna from the Rasleela ; performed by Latasana -- Jugal nartan / dance of Krishna and Radha from the Rasleela ; performed by Ranjana and Kalavati -- Prabandha nritya (interpretative dances to songs): Krishnaroop varnan / description of Krishna's beauty ; performed by Darshana -- Nannichuri / the young Krishna as butter thief ; performed by Kalavati -- Kanduk khel / the young Krishna and his brother Balaram play ball ; performed by Kalavati and Latasana -- Chaturanga / traditional composition performed in the Nityaras ; performed by Darshana -- Baje drimikiti / traditional composition describing Krishna's beauty ; performed by Darshana -- Radha nartan / dance of Radha ; performed by Ranjana -- Nrityahasta (hand gestures) used in Maibi jagoi (priestess' dance) in the Lai-haraoba festival: Yumsaba (describing the building of a house) and Phisaba (describing cloth weaving) / performed by Latasana -- Mridang rag (drum composition): Rag macha
Contents: Cassette 3. V year (ca. 57 min.). Nrittabandha: Tanchep pareng, danced in lasya style / performed by Darshana -- Tevda pareng, danced in tandava style / performed by Darshana -- Rupak pareng, danced in lasya style / performed by Kalavati -- Chartal pareng, danced in lasya style / performed by Darshana -- Nritta prabandha (pure dance to musical compositions): Telena / traditional composition ; performed by Ranjana -- Swarmala / traditional composition ; performed by Ranjana -- Tanum in lasya style / traditional dance performed in the Nityaras ; performed by Darshana
Performer Note: Performed by the Jhaveri Sisters, Ranjana Jhaveri and Darshana Jhaveri, with Kalavati Devi and Latasana Devi of Manipuri Nartanalaya
Performer Note: Singers: Guru Bipin Singh, Kalavati Devi, Atoshi Chatterjee, Ibeyaima Devi, and Premlata Nayak
Performer Note: Drummer: Biramangal Singh
Performer Note: Conductor: Guru Bipin Singh
Abstract: Fourth and fifth year syllabus for a training course in Manipuri dance, first created by Guru Bipin Singh in 1958 and revised by him in 1972. The fifth year syllabus is continued on *MGZIC 9-4770. The course is based on Singh's in-depth study of oral traditions of dance and music, particularly the dance forms of Sankirtan and Rasleelas, correlated with various Vaishnavite and ancient Indian texts on dance and music. It includes traditional compositions as well as original choreography by Singh

Skordalsvold, J. J. (1927). The Gobelin tapestry of Hiawatha and Minnehaha made by Pauline Gerhardine Fjelde (1861-1923). Jul I Vesterheimen, p. [57-58].

Skreko, M., & Carmel Clay Schools (Carmel, Ind.). (1979?). Red and blue study. Indiana.
Abstract: Wool on cotton warp-weaving technique: crooked path weaving-bound weave

Sola, M., & Foxx, J. J. (1997). Angela weaves a dream (1st ed ed.). New York: Hyperion Books for Children.
Notes: LC Control Number: 94035488
Includes bibliographical references (p. 45)

Sperlich, N., & Sperlich, E. K. (1980). Guatemalan backstrap weaving (1st ed ed.). Norman: University of Oklahoma Press.
Notes: LC Control Number: 79026991 //r93
Bibliography: p. 171
Added Title: Backstrap weaving

Sperlich, N., & Sperlich, E. K. (1978). Technical aspects of Guatemalan backstrap weaving.
Notes: Includes bibliographical references (leaf 166)

Stocksdale, K. S., Mayfield, S., Nathan, H., Bancroft Library, & Regional Oral History Office. (1996). The weaver's weaver explorations in multiple layers and three-dimensional fiber art (Fiber art oral history series . Berkeley, Calif: Regional Oral History Office, The Bancroft Library, University of California, Berkeley.
Notes: Contents: Introduction / Signe Mayfield -- Interview history / Harriet Nathan -- Biographical information -- Family and memories of childhood -- Studies at California College of Arts and Crafts (1946-1949), jobs in the Bay Area, and becoming professional -- Haystack Mountain School of Crafts (1956) -- Bay Area scene; learning techniques; teaching -- Memories of Japan -- Exhibits and shows, stimulus to experiment -- Marriage to Bob Stocksdale (1972) -- Trude Guermonprez -- Current status of fiber arts -- Further comments on exhibits -- Appendices

Strickler, C. (1987). American woven coverlets. Loveland, Colo: Interweave Press.
Notes: LC Control Number: 87080524
Bibliography: p. 195-196

Strickler, C. (1980). A portfolio of American coverlets (Rev. ed ed.). Boulder, Colo. (1690 Wilson Ct., Boulder 80302): C. Strickler.
Notes: LC Control Number: 82135759
Includes bibliographies

Strickler, C. (1991). A Weaver's book of 8-shaft patterns from the Friends of Handwoven. Loveland, Colo: Interweave Press.
Notes: LC Control Number: 91028618
Includes bibliographical references (p. 239) and index
Added Title: 8-shaft patterns
Added Title: Weaver's book of eight-shaft patterns

Sunrise Films (Toronto, Ont.). (197). Hasan the carpet weaver. Toronto: Sunrise Films.
Notes: LC Control Number: 77702899 /F
Abstract: The story of an Indian boy in Kashmir learning the craft of weaving from his grandfather

Sutton, A., British Broadcasting Corporation, & Television Service. (1980). Woven hangings. Wilmette, Ill: Films Incorporated.
Notes: Performer Note: Ann Sutton, with Peter Collingwood
Abstract: An interview with weaver Peter Collingwood, discussing his rug and wall hanging techniques, particularly the shaft-switching technique. Also shows examples of other weavers' works

Tapp, R., Gutteter, L., St. Cloud State University, Learning Resources Services, & Production Services. (1973). Spaced double weave a weaving technique. St. Cloud, MN: The University.
Notes: Performer Note: Features Lee Gutteter
Abstract: Explains a specialized weaving technique

Tarr, B. (1987). Basic card sleights. East Hampton, N.Y.: Bill Tarr.
Notes: Contents: False shuffles -- Slip shuffle -- Jog shuffle -- Slip cut -- False triple cut -- Hindu shuffle -- Invisible pass -- Double cut -- Say when pass -- Classic pass -- Classic force -- Riffle force -- Top palm -- Double lift -- Top change -- Glide -- Card weaving -- Buckle -- Elmsley count -- Key cards -- Card bits -- 5-card repeat -- Messenger card -- Not your card -- Spelling trick -- Card pocket
Performer Note: Presenter, Bill Tarr ; assistant, Yvonne Tarr
Abstract: Provides step-by-step instruction in basic techniques of sleight of hand with cards

Tate, L. (1940). Contemporary American handwoven textiles second exhibition. Louisville, Ky: s.n.

Tate, L. (1946). Little Loomhouse country fair Contemporary American handwoven textiles, seventh season, 1945-1946. Louisville, Ky: Tate.
Notes: Added Title: Contemporary American handwoven textiles

Tate, L., & J.B. Speed Art Museum. (1939). Contemporary American handwoven textiles exhibition (Exhibition catalogue: Exhibition catalogue (J.B. Speed Art Museum) No. no. 84). Louisville, Ky: J.B. Speed Memorial Museum.

Teague, L. S., & Teiwes, H. (1998). Textiles in southwestern prehistory. Albuquerque: University of New Mexico Press.
Notes: LC Control Number: 98003945
Includes bibliographical references (p. 189-203) and index

Thomas, D. (1975). The advanced creative ojo book. Phoenix, Ariz: Hunter Pub. Co.

Tidball, H. (1968-1969). Peru : textiles unlimited (Shuttle craft monograph No. 25-26). Lansing, Mich: Shuttle Craft Guild ; Pacific Grove, Calif. : distributed by Craft and Hobby Book Service.
Notes: Bibliography: pt. 1, p. 34-36

Tidball, H. (1969). Peru textiles unlimited (Shuttle Craft Guild monograph No. 25-26). Coupeville, WA: HTH Publishers.
Notes: LC Control Number: 76024015
Bibliography: v. 1, p. 34-36
Contents: Part 1. Background.--Part 2. The techniques, drafts and methods

Turner, A. R. Finger weaving Indian braiding. Cherokee, N.C: Cherokee Pub., 1989, c1973.
Notes: Includes bibliographical references (p. 46) and index
Abstract: Directions for using finger weaving, or flat braiding, to make belts, hair ties, collars, neck-ties, and other items with designs created by North American Indians and ancient Peruvians

Turner, A. R. (1973). Finger weaving: Indian braiding (Little craft book series . New York: Sterling Pub. Co.
Notes: LC Control Number: 72095200
Bibliography: p. 46
Abstract: Directions for using finger weaving, or flat braiding, to make belts, hair ties, collars, neck-ties, and other items with designs created by North American Indians and ancient Peruvians

University of California, & Extension Center for Media and Independent Learning. (1993). Daughters of the Ixchel Maya thread of change. Berkeley, Calif: University of California Extension Center for Media and Independent Learning.
Abstract: Weaving is an expression of cultural identity and a means for economic survival for the women living in the highlands of Guatemala. This film examines the lives of the Maya women and the way in which traditional weaving activities are used to hold on to the ethnic traditions of the Maya even as they conform to the modern world

Vasquez, E., & Moctesuma Esparza Productions. (1994?). Agueda Martínez our people, our country. Los Angeles, CA: Esparza/Katz Productions.
Abstract: Explores the history, life and values of a 77-year-old New Mexico woman of Navajo-Mexican descent. She explains how she makes her living with her work as a farmer and weaver, and she descibes her fundamental values: self-sufficiency, family solidarity, religious commitment, and cooperation with the land and nature

Venkataraman, K. S. (1940). The hand-loom industry in south India (Madras University. Dept. of Indian Economics. Bulletin . Madras: Printed at the Diocesan Press.

Ventura, C. A. (1996). Cintas Mayas tejidas con el telar de palitos en Jacaltenango, Guatemala (1.ed ed.).Rancho Palos Verdes, CA. Ediciones Yax Te'.
Notes: Includes bibliographical references (p. 68-79)

Ventura, C. A. (1996). Mayan hair sashes backstrap woven in Jacaltenango, Guatemala (1st ed ed.). Rancho Palos Verdes, Calif: Yax Te' Press.
Notes: LC Control Number: 97114477
Includes bibliographical references (p. [65]-[75])

Villegas, L., & Rivera, A. (1982). Iwouya como las estrellas que anuncian la llegada de las lluvias : La Guajira a través del tejido (1a ed ed.). Bogotá: International Petroleum (Colombia).

Waagen Alice, K. (1982). An historical survey and analysis of American handweaving.
Notes: Bibliography: p. 124-129

Weeden, W. B., & American Historical Association. (1903). The Art of weaving a handmaid of civilization (from the annual report of the American Historical Association for 1902, Vol. I, pages 191-210.). Washington: Government Printing Office.

Wells, O. (1968?). Salish weaving primitive and modern. Sardis, B.C.

Wertenberger, K. (1988). 8, 12-- 20 an introduction to multishaft weaving. Loveland, Colo: Interweave Press.
Notes: LC Control Number: 88012265
Bibliography: p. 127-134
Added Title: Eight, twelve-- twenty
Added Title: Introduction to multishaft weaving

Wescott, V. N. (1970). Three-dimensional multi-layered woven forms.
Notes: Bibliography: leaf [32]

Wheeler, M. R., & Southern Plains Indian Museum and Crafts Center (U.S.). (1987). Mahota handwovens exhibition catalog. Anadarko, Okla.: U.S. Dept. of the Interior, Indian Arts and Crafts Board, Southern Plains Indian Museum and Crafts Center.

Willoughby, J., Ends of the Earth Ltd, & Yarn Barn (Firm). (1998). Backstrap weaving traditional weaving in Guatemala and Mexico. Hampton, Middlesex, Lawrence, KS: Ends of the Earth Ltd. Distributed in the United States by Yarn Barn.
Abstract: This video unravels the secrets of back strap weaving widely practiced in Guatemala and Mexico

Winiker, D., Fruchier, S., Videoevento Productions, & Madera Cinevideo. (1987). Sna Jolobil the weavers of San Andres. Madera, CA: Distributed by Madera Cinevideo.
Notes: Performer Note: Susana Fruchier
Abstract: Sna Jolobil is an association of Mayan weavers dedicated to preserving traditional Mayan weaving skills. Begins in San Cristobal de las Casas where weaving is sold to San Andres where the weavers work

Witherspoon, G., & Museum of Northern Arizona. (1987). Navajo weaving art in its cultural context (MNA research paper No. 36). Flagstaff, Ariz: Museum of Northern Arizona.
Notes: Includes bibliographical references (p. 109-112)

Worcester, L. P. (1966). American handweaving in the twentieth century.
Notes: Includes bibliography

Zachario, I., Eastland, L., Van Handel, S., & Hazel Pearson Handicrafts. (1977). Tissage americana comportant des techniques spécialement conçues pour le tissage avec ou sans métier (Creative American craft series . Canada?: Hazel Pearson Handicrafts.
Notes: LC Control Number: cn 85005721

Zapata, C., Vasquez, E., Moctesuma Esparza Productions, Educational Media Corporation, National Latino Communications Center, & NLCC Educational Media. (1997). Agueda Martínez our people, our country. Los Angeles, Calif: NLCC Educational Media distributor.
Notes: Performer Note: Carmen Zapata
Abstract: Explores the history, life and values of a 77-year-old New Mexico woman of Navajo-Mexican descent. She explains how she makes her living with her work as a farmer and weaver, and she describes her fundamental values: self-sufficiency, family solidarity, religious commitment, and cooperation with the land and nature

Zielinski, S. A. (1979-). Master weaver library. L'Islet, Québec: Nilus Leclerc.
Notes: LC Control Number: cn 80010235 //r85
Availability: Nilus Leclerc Inc., P.O. Box 69, L'Islet, Québec G0R 2C0
Contents: v. 1. A treasury for beginners -- v. 2. All about looms -- v. 3. Creative drafting and analysis -- v. 4. Yarns and fibers -- v. 5. Everything a weaver should know about warps and warping -- v. 6. Technology of handweaving, equipment and its use -- v. 7. Contemporary approach to traditional weaves, overshot and summer & winter -- v. 8. Contemporary approach to traditional weaves, crackle, M's & O's and others -- v. 9. Fascination of twills, fourshafts -- v. 10. Fascination of twills (multishafts) -- v. 11. Traditional texture weaves. Exploring the textures -- v. 12. Spot weaves, old and new -- v. 13. Woven lace and lacey weaves -- v. 14. Pile weaves, rugs and tapestry -- 15. Double weaves -- v. 16. Little known weaves worth knowing better -- v. 17. Resist dyeing, curiosities and inventions -- v. 18. Composition and designing

Zielinski, S. A., & Leclerc, R. (1983). Double weaves (Master weaver library No. v. 15). L'Islet, Quebec: Nilus Leclerc.